Thursday, October 11, 2007
The Story of Shanmugam
This is my dancer-friend Shanmugam. I first met him in my dance school of KJ Sarasa in Chennai in 2000. He had just started his full time dance training. But he was dejected and in despair. Although he was deeply talented he lacked confidence as he felt very poor among the other rich dance students. Unlike the other students he came from a poor family of stone workers from a little village. He did not have the resources to pay the guru or lavish her with gifts to get specialized one-to-one coaching. Neither could he afford the expensive saris that were used for dance costumes or the jewellry that all dancers had to wear for shows. His plight really brought into stark reality how art in india is really the exclusive preserve of the rich and the well-connected. He neither had any connections or the wealth. He felt that he was doomed. But he loved and was deeply committed to Dasi Dance. I decided that he needed international exposure and performance opportunities. An artist who does not get any stage experience cannot hone his or her craft and build their name. From my own experience I know how critical performing has been to my development as an artist. I decided to give him a scholarship to Singapore with an opportunity to perform at my solo show. I got him a ticket and my parents provided him with food and accomodation. He stayed in Singapore for a month and at the end performed for a deeply appreciative audience. When he returned home to Chennai people saw his differently - as an international artist who has toured other countries. Doors began to open. His confidence soared. He kept working hard and constantly updated me on his progress and sought my advice on building his career. Over the past few years he has managed to clinch all the top dance awards and perform at some of the most prestigious venues in Chennai and Delhi. One day I hope to set up a formal scholarship program where I can get donors to Adopt an Artist from an underprivileged situation and empower them.
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1 comment:
Dear Arul,
I just stumbled over your website as I sought to clear the muck from seeing the term "deva dasi" abused in a neo-tantra escort site. How delightful to find you. Your face reflects the generosity and keen insight of your posts. I so appreciate your high standards for performance. I, too, am usually disappointed in theatre for the same reasons. I totally get how rare and wonderful it is that a man, beard and all, has transformed into the Goddess! My husband does also when he does our spiritual moving meditation practice. A description of the devotional moving meditation I have discovered/evolved is on my website www.GreatGoddess.org
It can only be done with true feeling in prayer, or it is something else, not the Dance.
I also have an affinity with south India because of a male teacher I have had the fortune to work with who is carrying a female-sourced lineage of wisdom with integrity and humility rare for a male teacher.
Please also check out my associate Nita Rubio's new blog: embodyshakti.typepad.com
Blessings, and thank you!
Vajra-Ma
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